THE CLASSICISM IN OF SACRED SPACE FORMATION

The classicism of the first decade 20th century was analyzed as a result negative assessment situation in culture late 19th century. opinions such cultural theorists Max Nordau or Richard Hamann, who represent extreme individualism and isolation art from moral social tasks, are manifestations degeneration decline, leading society to madness collapse. features characteristic end (fin de siècle) presented.
 architecture sacred structures built on principle classical is considered. It determined that objects created by Jozsef Plečnik, Gunnar Asplund Sigurd Lewerentz, which carried super-individual, inhuman forms industrial classicism, could seem terrible, but this case they were associated with single reliable support human community.
 A look at mysterious nature connection people presented - close types connections connecting religious communities, well concept bridge between heaven earth, changed approach building an exclusively material object.
 individual ways organizing their interiors analyzed, made it possible conclude ideas unity surrounding landscape, tendency use local materials, also more general, philosophical attitude, allowing us consider element connects forces space life.
 metaphorical language based visual products iconographic distinctive need take into account relationship certain messages through transmitted formation revealed.
 tendencies shaping century, role traditions natural organic revealed.